06/02/2026

Not quite still life

Vase, Digital photo, 620 x 450 mm, 2026


Tumbler, Digital photo, 620 x 450 mm, 2026


Rabbit, Digital photo, 450 x 620 mm, 2026


Book, Digital photo, 450 x 620 mm, 2026


Bottle, Digital photo, 620 x 450 mm, 2026


Towel, Digital photo, 620 x 450 mm, 2026


Teapot, Digital photo, 620 x 450 mm, 2026


Tea cup, Digital photo, 450 x 620 mm, 2026


Paper towel, Digital photo, 620 x 450 mm, 2026


Jam, Digital photo, 450 x 620 mm, 2026




Not quite still life is a series of work by Ho Chun Yu that aims to explore the scope of camera-less photography and revisit still life photography as a genre with a new perspective. 


The images in this series are the outcome of a non-camarea image making process. A selection of daily life objects, applying studio lighting techniques and instead of a camera, a scanner is in use. Resulting from moving objects over a moving scanner sensor, these images parodically review the idea of 'still' life photography with a not-quite-still act of image capturing.


Chun Yu uses such an approach to render multiple viewpoints in one go, deliberately against the conventional idea that photography as a medium only offers a sole viewpoint in any single shot. The objects in these images are being recomposited to suggest an alternative representation of ‘reality’ without the aid of digital manipulation but real acts in the process of making.


With Not quiet still life, Chun Yu attempted to move towards a step further to untapped the potential realm of photograph making.





30/11/2025

Self portrait

Self portrait #1, Digital photo, 600 x 825 mm, 2025

Self portrait #2, Digital photo, 600 x 825 mm, 2025



This self-portrait explores the idea of reconstructing one’s self-identity in another language and cultural environment. Instead of a camera, a scanner is used to capture the facial features. Presenting multiple viewpoints simultaneously in a sole portrait is an attempt to frame a moment in motion. Stretching, ongoing and yet-to-be ascertaining, this self portrait is a record of searching and redefining oneself. 




17/06/2025

From cloud to ground

Instant film, 85 x 54 mm, 2025
Instant film, 85 x 54 mm, 2025
Instant film, 85 x 54 mm, 2025
Instant film, 85 x 54 mm, 2025
Instant film, 85 x 54 mm, 2025
Instant film, 85 x 54 mm, 2025
Instant film, 85 x 54 mm, 2025
Instant film, 85 x 54 mm, 2025
Instant film, 85 x 54 mm, 2025
Instant film, 85 x 54 mm, 2025
Instant film, 85 x 54 mm, 2025
Instant film, 85 x 54 mm, 2025
Instant film, 85 x 54 mm, 2025
Instant film, 85 x 54 mm, 2025
Instant film, 85 x 54 mm, 2025



Instant film, 85 x 54 mm, 2025
Instant film, 85 x 54 mm, 2025
Instant film, 85 x 54 mm, 2025
Instant film, 85 x 54 mm, 2025
Instant film, 85 x 54 mm, 2025
Instant film, 85 x 54 mm, 2025
Instant film, 85 x 54 mm, 2025
Instant film, 85 x 54 mm, 2025
Instant film, 85 x 54 mm, 2025
Instant film, 85 x 54 mm, 2025
Instant film, 85 x 54 mm, 2025
Instant film, 85 x 54 mm, 2025
Instant film, 85 x 54 mm, 2025
Instant film, 85 x 54 mm, 2025
Instant film, 85 x 54 mm, 2025








In this project, digital photography is not considered as a replacement, an advancement or a rival but as an entirely different apparatus and approach to producing photographic imagery compared to and associated with analogue photography.

Instant film photography once was used to represent authenticity and existence, but it is not any more in the digital generation with all the advancement in technology. In this series of instant film work, the original image is a screenshot instead of a photographical capture of any real object. By creating a series of maze-like digital photographic images on instant films without the use of a digital camera, this project investigates an alternative way of image capturing that interplays between analogue photography and digital photography.

The ramification of this experiment, applying digital photography methods combined with classical photography material, constructed an illusion of a three dimensional space, a multiple layers of empty frame on instant films, that challenges the perception of the viewers, questions the traditional understanding of photographic image making and experiments with a not-yet-be-seen aspect of photography as a form of artistic practice itself.